WESTERN AMERICAN LITERATURE
Spring 2010 (vol. 45, no. 1)
ESSAYS | |
Locating the Modern Mexican in Josefina Niggli’s Step Down, Elder Brother | Emily Lutenski |
“Truer ’n Hell”: Lies, Capitalism, and Cultural Imperialism in Owen Wister’s The Virginian, B. M. Bower’s The Happy Family, and Mourning Dove’s Cogewea | Sara Humphreys |
Stepping onto the Yakama Reservation: Land and Water Rights in Raymond Carver’s “Sixty Acres” | Chad Wriglesworth |
BOOK REVIEWS | REVIEWER |
Joshua David Bellin, Medicine Bundle: Indian Sacred Performance and American Literature, 1824–1932 | Katherine Young Evans |
Sherman Alexie, War Dances | Loree Westron |
John Lloyd Purdy, Writing Indian, Native Conversations | Stuart Christie |
Paul Chaat Smith, Everything You Know about Indians Is Wrong | Bryan Russell |
Stuart Christie, Plural Sovereignties and Contemporary Indigenous Literature | Linda Lizut Helstern |
John Bierhorst, transl., Ballads of the Lords of New Spain: The Codex “Romances de los Señores de la Nueva España” | Keri Holt |
Patricia Nelson Limerick, Andrew Cowell, and Sharon K. Collinge, eds., Remedies for a New West: Healing Landscapes, Histories, and Cultures | Corey Lee Lewis |
Rudolfo A. Anaya, Rudolfo Anaya: The Essays | Francisco A. Lomelí |
Donald Pizer, American Naturalism and the Jews: Garland, Norris, Dreiser, Wharton, and Cather | Charles L. Crow |
Keith Newlin, Hamlin Garland: A Life | Philip Joseph |
Joan Kane, The Cormorant Hunter’s Wife | Eric Heyne |
Linda A. Fisher and Carrie Bowers, Agnes Lake Hickok: Queen of the Circus, Wife of a Legend | Jan Cerney |
Jeanne Campbell Reesman, Jack London’s Racial Lives: A Critical Biography | Gary Scharnhorst |
Nancy Lord, Rock, Water, Wild: An Alaskan Life | Ann Ronald |
Gregg Cantrell and Elizabeth Hayes Turner, Lone Star Pasts: Memory and History in Texas | Daniel D. Arreola |
Patrick D. Murphy, Ecocritical Explorations in Literary and Cultural Studies: Fences, Boundaries, and Fields | Shane Billings |
John Daniel, The Far Corner: Northwestern Views on Land, Life, and Literature | Glen Love |
Linda M. Hasselstrom, No Place Like Home: Notes from a Western Life | Kerry Fine |
Barbara Kingsolver, The Lacuna | Pamela Pierce |
Scott Slovic, Going Away to Think: Engagement, Retreat, and Ecocritical Responsibility | Linda Underhill |
Summer 2010 (vol. 45, no. 2)
ESSAYS | |
“It was all a hard, fast ride that ended in the mud”: Deconstructing the Myth of the Cowboy in Annie Proulx’s Close Range: Wyoming Stories | Katie O. Arosteguy |
Haunting and History in Louis Sachar’s Holes | Kirsten Møllegaard |
Down the Santa Fe Trail to the City upon a Hill | Andrew Menard |
BOOK REVIEWS | REVIEWER |
Robert McKee Irwin, Bandits, Captives, Heroines, and Saints: Cultural Icons of Mexico’s Northwest Borderlands | David Peterson |
Rebecca M. Schreiber, Cold War Exiles in Mexico: U.S. Dissidents and the Culture of Critical Resistance | Helen Delpar |
Ann Putnam, Full Moon at Noontide: A Daughter’s Last Goodbye | Nancy Lord |
Jimmy Santiago Baca, A Glass of Water | Sean McCray |
Michelle Burnham, A Separate Star: Selected Writings of Helen Hunt Jackson | Raúl Coronado |
William H. Katerberg, Future West: Utopia and Apocalypse in Frontier Science Fiction | David Mogen |
Stephanie C. Palmer, Together by Accident: American Local Color Literature and the Middle Class | Matthew J. Lavin |
Jim Charles, Reading, Learning, Teaching N. Scott Momaday, and Robert M. Nelson, Leslie Marmon Silko’s “Ceremony”: The Recovery of Tradition | Lee Schweninger |
Patrick Dobson, Seldom Seen: A Journey into the Great Plains | Susan Naramore Maher |
Rinda West, Out of the Shadow: Ecopsychology, Story, and Encounters with the Land | Mark C. Long |
Brian Booth and Glen A. Love, Davis Country: H. L. Davis’s Northwest | Paul Crumbley |
Mike Barenti, Kayaking Alone | Jeffrey McCarthy |
Steven L. Davis, J. Frank Dobie: A Liberated Mind | Verne Huser |
Eric Gardner, Unexpected Places: Relocating Nineteenth-Century African American Literature | Michael K. Johnson |
Susan Sleeper-Smith, Contesting Knowledge: Museums and Indigenous Perspectives | Kym S. Rice |
Kathryn Zabelle Derounian-Stodola, The War in Words: Reading the Dakota Conflict through the Captivity Literature, and Victoria Smith, Captive Arizona, 1851–1900 | Randi Lynn Tanglen |
Kenneth Scambray, Queen Calafia’s Paradise: California and the Italian American Novel | Charles Scruggs |
Dorothy Allred Solomon, In My Father’s House: A Memoir of Polygamy | Bonnie Bastian Moore |
Louise Erdrich, Shadow Tag | James Cihlar |
Fall 2010 (vol. 45, no. 3)
ESSAYS | |
Cultural Resistance and “Playing Indian” in Thomas King’s “Joe the Painter and the Deer Island Massacre” |
Timothy Glenn |
“Terrible Women”: Gender, Platonism, and Christianity in Willa Cather’s The Professor’s House | Anne Baker |
Unmapping Adventure: Sewing Resistance in Linda Hogan’s Solar Storms | T. Christine Jespersen |
BOOK REVIEWS | REVIEWER |
Shirley A. Leckie and Nancy J. Parezo, eds., Their Own Frontier: Women Intellectuals Re-Visioning the American West | Andrea G. Radke-Moss |
Joan Stauffer, Behind Every Man: The Story of Nancy Cooper Russell, and Candace C. Kant, ed., Dolly & Zane Grey: Letters from a Marriage | David Fenimore |
Lucy Marks and David Porter, Seeking Life Whole: Willa Cather and the Brewsters | Laura Winters |
Kimberli A. Lee, ed., “I Do Not Apologize for the Length of This Letter”: The Mari Sandoz Letters on Native American Rights, 1940–1965 | Katherine Bahr |
Daniel H. Usner Jr., Indian Work | Jeanette Palmer |
N. Scott Momaday, The Journey of Tai-me | William M. Clements |
Diane Glancy, Pushing the Bear: After the Trail of Tears | Erin Murrah-Mandril |
John Morán González, Border Renaissance: The Texas Centennial and the Emergence of Mexican American Literature | Juan Alonzo |
Conrado Espinoza, Under the Texas Sun/El Sol de Texas | Maria O’Connell |
Américo Paredes, Cantos de adolescencia/Songs of Youth (1932–1937) | Grisel Y. Acosta |
Silvio Sirias, Meet Me under the Ceiba | Lucrecia Guerrero |
Daryl J. Maeda, Chains of Babylon: The Rise of Asian America | Moon-Ho Jung |
Brian Flota, A Survey of Multicultural San Francisco Bay Literature, 1955–1979: Ishmael Reed, Maxine Hong Kingston, Frank Chin, and the Beat Generation | Brett C. Sigurdson |
Eileen O’Keefe McVicker and Barbara Scot, Child of Steens Mountain, and Robin Cody, Another Way the River Has: Taut True Tales from the Northwest | J. T. Bushnell |
James Karman, ed., The Collected Letters of Robinson Jeffers with Selected Letters of Una Jeffers: Volume One, 1890–1930 | Tim Hunt |
Dan Aadland, In Trace of TR: A Montana Hunter’s Journey, and Robert Root, Following Isabella: Travels in Colorado Then and Now | Ann Ronald |
Nguyen Qúi Dú’c, Where the Ashes Are: The Odyssey of a Vietnamese Family | Sophie Quinn-Judge |
Lisa Jones, Broken: A Love Story | Summer Wood |
Lucha Corpi, Death at Solstice: A Gloria Damasco Mystery | María Herrera-Sobek |
Kent Meyers, Twisted Tree | Robert Headley |
Pamela Carter Joern, The Plain Sense of Things | Tyler S. Holzer |
Winter 2011 (vol. 45, no. 4)
ESSAYS | |
Practicing Sovereignty in Greg Sarris’s Watermelon Nights | Reginald Dyck |
Clean Hands and an Iron Face: Frontier Masculinity and Boston Manliness in The Rise of Silas Lapham |
Matthew J. Lavin |
The Sentimental Politics of Language: Ralph Waldo Emerson’s and José María Sánchez’s Texan Stories |
Marissa López |
ESSAY REVIEW | REVIEWER |
The Mark Twain Biography Wars | Charles L. Crow |
BOOK REVIEWS | |
John Beck, Dirty Wars: Landscape, Power, and Waste in Western American Literature | Bill D. Toth |
Leonard Engel, ed., A Violent Conscience: Essays on the Fiction of James Lee Burke | Jon A. Jackson |
Megan Riley McGilchrist, The Western Landscape in Cormac McCarthy and Wallace Stegner: Myths of the Frontier | Stacey Peebles |
Carol Sklenicka, Raymond Carver: A Writer’s Life | Chad Wriglesworth |
Frances McCue, The Car That Brought You Here Still Runs: Revisiting the Northwest Towns of Richard Hugo | Kim Stafford |
Phyllis Morgan, N. Scott Momaday: Remembering Ancestors, Earth, and Traditions: An Annotated Bio-Bibliography | Larry Evers |
James R. Boylston and Allen J. Wiener, David Crockett in Congress: The Rise and Fall of the Poor Man’s Friend, with Collected Correspondence, Selected Speeches, and Circulars | Paula Marks |
William Haywood Henderson, Native | Elizabeth Abele |
Tim Z. Hernandez, Breathing, In Dust | Gerald Haslam |
Steven L. Davis, J. Frank Dobie: A Liberated Mind | Tom Pilkington |
Michelle Wick Patterson, Natalie Curtis Burlin: A Life in Native and African American Music | Martha Viehmann |
Virginia Scharff and Carolyn Brucken, Homelands: How Women Made the West | Sue Armitage |
Maria Melendez, Flexible Bones | Cynthia Hogue |
Angie Chau, Quiet As They Come | Christopher Schaberg |
David Toscana, The Last Reader | Beth Pollack |
Spring 2011 (vol. 46, no. 1)
ESSAYS | |
Sacred Spaces, Profane “Manufactories”: Willa Cather’s Split Artist in The Professor’s House and My Mortal Enemy | Kim Vanderlaan |
“A Terrible Genius”: Robinson Jeffers’s Art of Narrative | Robert Zaller |
The Quilt as (Non-)Commodity in William S. Yellow Robe Jr.’s The Star Quilter | Deborah Weagel |
ESSAY REVIEW | REVIEWER |
Crossing Territories: New Spaces in Six Works of Fiction | Manuel Muñoz |
New West or Old? Men and Masculinity in Recent Fiction by Western American Men |
David J. Peterson |
BOOK REVIEWS | |
Review of J. M. Ferguson Jr., Westering: A Novel in Stories | Martin Bucco |
Review of John Addiego, Tears of the Mountain | Brett Garcia Myhren |
Review of Lisa Knopp, Interior Places | Gaynell Gavin |
Review of Ann Ronald, Friendly Fallout 1953 | David Mazel |
Review of Jim Dwyer, Where the Wild Books Are: A Field Guide to Ecofiction | O. Alan Weltzien |
Review of Lowell Jaeger, ed., New Poets of the American West | Peggy Shumaker |
Review of Bill Sherwonit, Changing Paths: Travels and Meditations in Alaska’s Arctic Wilderness | Jennifer Schell |
Review of John J. Murphy, Françoise Palleau-Papin, and Robert Thacker, eds., Willa Cather: A Writer’s Worlds | Timothy W. Bintrim |
Review of Joanna Levin, Bohemia in America, 1858–1920 | Brett C. Sigurdson |
Review of Susan Goodman and Carl Dawson,Mary Austin and the American West | Karen S. Langlois |
Review of Jennifer L. McMahon and B. Steve Csaki, eds., The Philosophy of the Western |
Brian McCuskey |
Review of Frank Maynard, Cowboy’s Lament: A Life on the Open Range | Richard Hutson |
Review of Linwood Laughy, The Fifth Generation: A Nez Perce Tale | Loree Westron |
Summer 2011 (vol. 46, no. 2)
ESSAYS | |
The Fat Man on Snow Dome: Surprise and Sense of Place (or, Reading Laurie Ricou’s David Wagoner) | Nicholas Bradley |
Untidy Borders: Eamonn Wall’s Negotiation of the American West | Susan Naramore Maher |
The Man Who Shot Liberty Valence Inhabits Film Noir | Alan P. Barr |
ESSAY REVIEW | REVIEWER |
Down on the Farm: Memoirs and Nonfiction on Agricultural Lives | Evelyn I. Funda |
Book History Comes West | Tara Penry |
BOOK REVIEWS | |
Review of Thomas McGuane, Driving on the Rim | Stephen P. Cook |
Review of Richard C. Rattenbury, Arena Legacy: The Heritage of American Rodeo | Demetrius W. Pearson |
Review of Annie Proulx, Bird Cloud | Matt Low |
Review of Monica Perales and Raúl A. Ramos, eds., Recovering the Hispanic History of Texas | Cordelia E. Barrera |
Review of Jordan Stouck, ed., “Collecting Stamps Would Have Been More Fun”: Canadian Publishing and the Correspondence of Sinclair Ross, 1933–1986. | Dick Harrison |
Review of Flannery Burke, From Greenwich Village to Taos: Primitivism and Place at Mabel Dodge Luhan’s | Tyler Nickl |
Review of David Mogen, Honyocker Dreams: Montana Memories | O. Alan Weltzien |
Review of Ruth McLaughlin, Bound Like Grass: A Memoir from the Western High Plains and of Mary Zeiss Stange, Hard Grass: Life on the Crazy Woman Bison Ranch | Linda M. Hasselstrom |
Review of Graciela Limón, The River Flows North | Elisa Bordin |
Review of Phillip Connors, Fire Season: Field Notes from a Wilderness Lookout | John Charles Gilmore |
Fall 2011 (vol. 46, no. 3):
Special Issue: Western Suburbia
ESSAYS | |
Special Issue on Western Suburbia | Neil Campbell |
“An assemblage of habits”: D. J. Waldie and Neil Campbell—A Suburban Conversation | D. J. Waldie and Neil Campbell |
Space, Gender, Race: Josephine Miles and the Poetics of the California Suburbs | Jo Gill |
Lakewood: Portraits of a Sacred American Suburb | Tom M. Johnson |
Tract Homes on the Range: The Suburbanization of the American West | Robert Bennett |
“A kingdom of a thousand princes but no kings”:The Postsuburban Network in Douglas Coupland’s Microserfs | Tim Foster |
BOOK REVIEWS | |
Review of Lawrence Culver, The Frontier of Leisure in California and the Shaping of Modern America | William Philpott |
Review of John Addiego, Barbara Berglund, Making San Francisco American: Cultural Frontiers in the Urban West, 1846–1906 | Raymond W. Rast |
Review of Char Miller, ed., Cities and Nature in the American West | Lawrence Culver |
Review of Kevin R. McNamara, ed., The Cambridge Companion to the Literature of Los Angeles | Jaquelin Pelzer |
Review of Susan Suntree, Sacred Sites: The Secret History of Southern California | Brett Garcia Myhren |
Review of Raymond D. Gastil and Barnett Singer, The Pacific Northwest: Growth of a Regional Identity | Stephen Trimble |
Review of William R. Handley, ed., The Brokeback Book: From Story to Cultural Phenomenon | Michael K. Johnson |
Review of Jim Reese, ghost on 3rd | David Cremean |
Review of Krista Comer, Surfer Girls in the New World Order | Robert Bennett |
Winter 2012 (vol. 46, no. 4)
ESSAYS | |
John Russell Bartlett’s Literary Borderlands: Ethnology, War, and the United States Boundary Survey | Robert Gunn |
No Laughing Matter: William Saroyan’s Californians in Crisis | Greg Levonian |
Morta Las Vegas | Stephen Tatum and Nathaniel Lewis |
ESSAY REVIEW | REVIEWER |
On the Border, on the Edge: Charles Bowden’s Twinned Trilogies | David N. Cremean |
BOOK REVIEWS | |
Review of Harriet Elinor Smith et al., eds., Autobiography of Mark Twain, Volume 1 | Chad Rohman |
Review of Lawrence I. Berkove and Joseph Csicsila, Heretical Fictions: Religion in the Literature of Mark Twain | Chad Rohman |
Review of Gary Scharnhorst, ed., Twain in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates | Robert C. Evans |
Review of John Morán González, The Troubled Union: Expansionist Imperatives in Post-Reconstruction American Novels | David Anthony |
Review of Todd Simmons, ed., Matter 13: Edward Abbey | David Joplin |
Review of Audrey Goodman, Lost Homelands: Ruin and Reconstruction in the 20th-Century Southwest | Ann E. Lundberg |
Review of Dan Flores, Visions of the Big Sky: Painting and Photographing the Northern Rocky Mountain West | Flannery Burke |
Review of Jake Silverstein, Nothing Happened and Then It Did: A Chronicle in Fact and Fiction | Barbara Barney Nelson |
Review of George B. Handley, Home Waters: A Year of Recompenses on the Provo River | Jeffrey McCarthy |
Review of David Wyatt, Secret Histories: Reading Twentieth-Century American Literature | Lars Erik Larson |
Review of Anne Coray, Violet Transparent | Marybeth Holleman |
Review of James R. Dow, Roger Welsch, and Susan Dow, eds., Wyoming Folklore: Reminiscences, Folktales, Beliefs, Customs, and Folk Speech | Lisa Gabbert |
Review of Rev. Santiago Tafolla, A Life Crossing Borders: Memoir of a Mexican-American Confederate | Leigh Johnson |
Review of Garrick Bailey, ed., Traditions of the Osage: Stories Collected and Translated by Francis La Flesche and of Geary Hobson, Janet McAdams, and Kathryn Walkiewicz, eds., The People Who Stayed: Southeastern Indian Writing after Removal | Matt Low |
Review of Steven Trout, On the Battlefield of Memory: The First World War and American Remembrance, 1919–1941 | Sarah Stoeckl |
Review of Aparajita Nanda, ed., Black California: A Literary Anthology | Blake Allmendinger |
Spring 2012 (vol. 47, no. 1)
ESSAYS | |
“Perhaps the Words Remember Me”: Richard Brautigan’s Very Short Stories | Christopher Gair |
Translating the American West into English: The Case of Hendrik Conscience’s Het Goudland | Michael Boyden & Liselotte Vandenbussche |
West by Southeast: Peter Matthiessen’s Florida Trilogy as Western Fiction | Carl Abbott |
Peyote in the Kitchen: Gendered Identities and Imperial Domesticity in Edna Ferber’s Cimarron | Amanda Zink |
BOOK REVIEWS | |
Review of Mary Clearman Blew, This Is Not the Ivy League: A Memoir | Lois M. Welch |
Review of James C. Work, Don’t Shoot the Gentile | Levi S. Peterson |
Review of Todd James Pierce and Jarret Keene, eds., Dead Neon: Tales of Near-Future Las Vegas, and of Hal K. Rothman, Nevada: The Making of Modern Nevada | Gerald Haslam |
Review of Brian Doyle, Mink River | Chad Wriglesworth |
Review of N. Scott Momaday, In the Bear’s House | William M. Clements |
Review of Richard Yañez, Cross Over Water | Bob J. Frye |
Review of William Kloefkorn, Swallowing the Soap: New and Selected Poems | Michael Sowder |
Review of Genaro M. Padilla, The Daring Flight of My Pen: Cultural Politics and Gaspar Pérez de Villagrá’s “Historia de la Nueva Mexico,” 1610 | Ralph Bauer |
Review of Dana Leibsohn and Barbara E. Mundy, Vistas, 1520–1820: Visual Culture in Spanish America/Cultura Visual de Hispanoamérica | Keri Holt |
Review of Tyche Hendricks, The Wind Doesn’t Need a Passport: Stories from the U.S.-Mexico Borderlands | Maria O’Connell |
Review of James Skillen, The Nation’s Largest Landlord: The Bureau of Land Management in the American West, and of Martin Nie, The Governance of Western Public Lands: Mapping Its Present and Future | Debbie Lee |
Review of Heather Fryer, Perimeters of Democracy: Inverse Utopias and the Wartime Social Landscape in the American West | Audrey Goodman |
Review of Jace Weaver, Notes from a Miner’s Canary: Essays on the State of Native America | Reginald Dyck |
Review of Forrestine C. Hooker, Child of the Fighting Tenth: On the Frontier with the Buffalo Soldiers, ed. by Steve Wilson | Mary Clearman Blew |
Review of David Remley, Kit Carson: The Life of an American Border Man | Jennifer Schell |
Review of David Theis, ed., Literary Houston | Alexander Adkins |
Review of Rudolfo Anaya, Randy Lopez Goes Home | Cordelia E. Barrera |
Review of Hart Stilwell, Glory of the Silver King: The Golden Age of Tarpon Fishing, ed. by Brandon D. Shuler | Maria O’Connell |
Summer 2012 (vol. 47, no. 2):
Special Issue: Television in the West
ESSAYS | |
Introduction: Television and the Depiction of the American West | Michael K. Johnson |
The Dangers of Driving the Dalton: The Paradoxical Industrial and Environmental Aesthetics of Ice Road Truckers | Jennifer Schell |
She Hits Like a Man, but She Kisses Like a Girl: TV Heroines, Femininity, Violence, and Intimacy | Kerry Fine |
The Warp, Woof, and Weave of This Story’s Tapestry Would Foster the Illusion of Further Progress: Justified and the Evolution of Western Violence | Justin A. Joyce |
Rejuvenating “Eternal Inequality” on the Digital Frontiers of Red Dead Redemption | Sara Humphreys |
BOOK REVIEWS | |
Review of Alvin H. Marill, Television Westerns: Six Decades of Sagebrush Sheriffs, Scalawags, and Sidewinders | Cynthia J. Miller |
Review of Rhonda V. Wilcox and Tanya R. Cochran, eds., Investigating “Firefly” and “Serenity”: Science Fiction on the Frontier | Corey Dethier |
Review of Christine Cornea, ed., Genre and Performance: Film and Television | Sue Matheson |
Review of Michael G. Fitzgerald and Boyd Magers, Ladies of the Western: Interviews with 25 Actresses from the Silent Era to the Television Westerns of the 1950s and 1960s | Holly Jean Richard |
Review of Ed Andreychuk, Louis L’Amour on Film and Television | D. B. Gough |
Review of John L. Simons and Robert Merrill, Peckinpah’s Tragic Westerns: A Critical Study | Leonard Engel |
Review of Mary C. Beltrán, Latina/o Stars in U.S. Eyes: The Making and Meanings of Film and TV Stardom and of Isabel Molina-Guzmán, Dangerous Curves: Latina Bodies in the Media | Melinda Linscott |
Review of Manuel Muñoz, What You See in the Dark | John Hursh |
Fall 2012 (vol. 47, no. 3)
ESSAYS | |
Narrative, Being, and the Dialogic Novel: The Problem of Discourse and Language in Cormac McCarthy’s The Crossing | Alan Noble |
Speaking Chinook: Adaptation, Indigeneity, and Pauline Johnson’s British Columbia Stories | Martha L. Viehmann |
Before the West Was West: Rethinking the Temporal Borders of Western American Literature | Amy T. Hamilton and Tom J. Hillard |
BOOK REVIEWS | |
Don Graham, State of Minds: Texas Culture and Its Discontents | Andrew Husband |
Paul Lindholdt, In Earshot of Water: Notes from the Columbia Plateau | Hal Crimmel |
Brady Harrison, ed., All Our Stories Are Here: Critical Perspectives on Montana Literature | Capper Nichols |
William H. Truettner, Painting Indians and Building Empires in North America, 1710–1840 | Rebecca M. Lush |
Scott Richard Lyons, X-Marks: Native Signatures of Assent | Daniel M. Radus |
John Lloyd Purdy, Riding Shotgun into the Promised Land | Dallin Jay Bundy |
Panthea Reid, Tillie Olsen: One Woman, Many Riddles | Susanne George Bloomfield |
Jeff Berglund and Jan Roush, eds., Sherman Alexie: A Collection of Critical Essays | Janet Dean |
Hugh J. Reilly, Bound to Have Blood: Frontier Newspapers and the Plains Indian Wars | William V. Lombardi |
Eamonn Wall, Writing the Irish West: Ecologies and Traditions | David Mogen |
Lydia R. Cooper, No More Heroes: Narrative Perspective and Morality in Cormac McCarthy | Trenton Hickman |
Dean Rader, Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI | Breanne Roberson |
Drucilla Wall, The Geese at the Gates | Joshua Doležal |
Summer Wood, Wrecker | Lawrence Coates |
Winter 2013 (vol. 47, no. 4)
ESSAYS | |
A Case for Enchantment: Re-reading Jean Stafford with “The Mountain Day” | Cathryn Halverson |
Writing against Wilderness: María Amparo Ruiz de Burton’s Elite Environmental Justice | Karen L. Kilcup |
“What manner of heretic?”: Demons in McCarthy and the Question of Agency | J.A. Bernstein |
BOOK REVIEWS | |
Christine Bold, ed., The Oxford History of Popular Print Culture, Volume Six: US Popular Print Culture 1860–1920 | Tara Penny |
Nicole M. Guidotti-Hernández, Un-speakable Violence: Remapping US and Mexican National Imaginaries | Joshua O’Brien |
Frances W. Kaye, Goodlands: A Meditation and History on he Great Plains | Robert Thacker |
Sara L. Spurgeon, ed., Cormac McCarthy: All the Pretty Horses, No Country for Old Men, The Road | Christopher Schaberg |
Lawrence Rodgers and Jerrold Hirsch, eds., America’s Folklorist: B. A. Botkin and American Culture | Ennifer Eastman Attebery |
Lee Schweninger, ed., The First We Can Remember: Colorado Pioneer Women Tell Their Stories | Udy Nolte Temple |
Tom Lynch and Susan N. Maher, eds., Artifacts & lluminations: Critical Essays on Loren Eiseley | Andrew Angyal |
Gerald W. Haslam with Janice E. Haslam, In Thought and Action: The Enigmatic Life of S. I. Hayakawa | Frank Bergon |
Stephen Tatum, In the Remington Moment | Kenneth Haltman |
Clay S. Jenkinson, The Character of Meriwether Lewis: Explorer n the Wilderness | Ryan Badger |
Mark Rifkin, When Did Indians Become Straight? Kinship, he History of Sexuality, and Native Sovereignty | Gabriel S. Estrada |
Scott Lauria Morgensen, Spaces be-tween Us: Queer Settler Colonialism and Indigenous Decolonization | Lisa Tatonetti |
Michael Hames-García, Identity Complex: Making the Case for Multiplicity and of David J. Vázquez, Triangulations: Narrative Strategies for Navigating Latino Identity | Maria Damon |
Kippra D. Hopper and Laurie J. Churchill, Art of West Texas Women: A Celebration | Kerry Fine |
Steven W. Hackel, ed., Alta California: Peoples in Motion, dentities in Formation | Anne Goldman |
Nicholas Monk, ed., Inter-textual and Interdisciplinary Approaches to Cormac McCarthy | Darryl Hattenhauer |
James Karman, ed., The Collected Letters of Robinson Jeffers with Selected Letters of Una Jeffers: Volume Two, 1931–1939 | Tim Hunt |
Donald Pizer, ed., Hamlin Garland, Prairie Radical: Writings from he 1890s | Eric Morel |
Maylei Blackwell, ¡Chicana Power! Contested Histories of Feminism in the Chicano Movement and of AnaLouise Keating and Gloria González-López, eds., Bridging: How Gloria Anzaldúa’s Life and Work Transformed Our Own | Yolanda Padilla |
Elissa Auther and Adam Lerner, eds., West of Center: Art and the Counterculture Experiment in America, 1965–1977 | Lois Rudnick |
Patrick Madden, Quoti-diana: Essay | Brandon R. Schrand |
John Joseph Mathews, ed. by Susan Kalter, Twenty Thousand Mornings: An Autobiography | James H. Cox |
Willard Wyman, Blue Heaven | Dynette Reynold |
Robert Alexander González, Designing Pan-America: US Architectural Visions for the Western Hemisphere | Amanda Ellis |
Double Issue Spring & Summer 2013 (vol. 48, nos. 1&2)
INTRODUCTION | |
Assessing the Postwestern | Krista Comer, guest editor |
ESSAYS | |
Inhabiting the Icon: Shipping Containers and the New Imagination of Western Space | Sarah Hirsch |
Third Cinema Goes West: Common Ground for Film and Literary Theory in Postregional Discourse | Courtney Fellion |
Narcocorridos and the Nostalgia of Violence: Postmodern Resistance en la Frontera | Chris Muniz |
“‘Refusing to halt’: Mobility and the Quest for Spatial Justice in Helena María Viramontes’s Their Dogs Came with Them and Karen Tei Yamashita’s Tropic of Orange | Sarah Wald |
Shaking Awake the Memory: The Gothic Quest for Place in Sandra Cisneros’s Caramelo | Paul Wickelson |
Settler Sovereignty and the Rhizomatic West, or, The Significance of the Frontier in Postwestern Studies | Alex Trimble Young |
“It All Comes Together” in … Reno?: Confronting the Postwestern Geographic Imaginary in Willy Vlautin’s The Motel Life | William V. Lombardi |
The Past and the Postwestern: Garland’s Cavanagh, Closure, and Conventions of Reading | Eric Morel |
Critical Regionalism, the US-Mexican War, and Nineteenth-Century American Literary History | Randi Lynn Tanglen |
“Might be going to have lived”: The West in the Subjunctive Mood | Andy Meyer |
Fall 2013 (vol. 48, no. 3)
From the Editor | Melody Graulich |
ESSAYS | |
Written on the Body: A Third Space Reading of Larry McMurtry’s Streets of Laredo | Cordelia E. Barrera |
“No Transient Spectacle”: Bayard Taylor, Wilderness Tourism, and the Re-creation of the United States | James Weaver |
“New England Innocent” in the Land of Sunshine: Charlotte Perkins Gilman and California | Jennifer S. Tuttle |
Panel Discussion: From Blood Simple to True Grit: A Conversation about the Coen Brothers’ Cinematic West | Neil Campbell, Susan Kollin, Lee Clark Mitchell, and Stephen Tatum |
BOOK REVIEWS | |
Review of Nicolas S. Witschi, A Companion to the Literature and Culture of the American West | David Wrobel |
Review of Bruce A. Glasrud and Cary D. Wintz, eds., The Harlem Renaissance in the American West: The New Negro’s Western Experience | Emily Lutenski |
Review of David Rio, Amaia Ibarraran, and Martin Simonson, eds., Beyond the Myth: New Perspectives on Western Texts | O. Alan Weltzien |
Nina Baym, Women Writers of the American West, 1833–1927 | Christie Smith |
Review of Denice Turner, Writing the Heavenly Frontier: Metaphor, Geography, and Flight Auto-biography in America 1927–1954 | Bernard Quetchenbach |
Review of Bill Mohr, Hold-Outs: The Los Angeles Poetry Renaissance, 1948–1992 | Lisa Locascio |
Review of Qwo-Li Driskill, Daniel Heath Justice, Deborah Miranda, and Lisa Tatonetti, eds., Sovereign Erotics: A Collection of Two-Spirit Literature | Andrew Uzendoski |
Review of Ernest J. Finney, Sequoia Gardens: California Stories and of Lawrence Coates, The Garden of the World | Chris Muniz |
Review of Forrest G. Robinson, Gabriel Noah Brahm Jr., and Catherine Carlstroem, The Jester and the Sages: Mark Twain in Conversation with Nietzsche, Freud, and Marx | Corey Dethier |
Review of Ned Buntline, The Hero of a Hundred Fights: Collected Stories from the Dime Novel King, from Buffalo Bill to Wild Bill Hickok | Adele H. Bealer |
Review of David Carpenter, A Hunter’s Confession | Henry Hudson |
Review of Daniel Worden, Masculine Style: The American West and Literary Modernism | David Peterson |
Review of Patrick Hicks, ed., A Harvest of Words: Contemporary South Dakota Poetry | Jeffrey Howard |
Review of Melissa J. Homestead and Guy J. Reynolds, eds., Cather Studies 9: Willa Cather and Modern Cultures | Steven B. Shively |
Winter 2014 (vol. 48, no. 4)
ESSAYS | |
“Nothing but land”: Women’s Narratives, Gardens, and the Settler-Colonial Imaginary in the US West and Australian Outback | Tom Lynch |
“Learn to talk Yaqui”: Mexico and the Cherokee Literary Politics of John Milton Oskison and Will Rogers | James H. CoX |
All the Pretty Mexican Girls: Whiteness and Racial Desire in Cormac McCarthy’s All the Pretty Horses and Cities of the Plain | Jennifer A. Reimer |
Resisting the Border: Natural Narrative, Everyday Story | Pattie Cowell |
BOOK REVIEWS | |
Review of Nathan Straight, Autobiography, Ecology, and the Well-Placed Self: The Growth of Natural Biography in Contemporary American Life Writing | Tyler Nickl |
Review of Andrew Menard, Sight Unseen: How Frémont’s First Expedition Changed the American Landscape | Robert Thacker |
Review of Lori Lee Wilson, The Joaquín Band: The History behind the Legend | Elisa Warford |
Review of Robin L. Murray and Joseph K. Heumann, Gunfight at the Eco-Corral: Western Cinema and the Environment | Linda Mizejewski |
Review of John Blair Gamber, Positive Pollutions and Cultural Toxins: Waste and Contamination in Contemporary U.S. Ethnic Literatures | Kristin Ladd |
Review of Robin Troy, Liberty Lanes | Matthew Heimburger |
Review of Mary Ellicott Arnold and Mabel Reed, In the Land of the Grasshopper Song: Two Women in the Klamath River Indian Country in 1908–09, with an introduction by Susan Bernardin | Anne L. Kaufman |
Review of Lois Palken Rudnick, The Suppressed Memoirs of Mabel Dodge Luhan: Sex, Syphilis, and Pyschoanalysis in the Making of Modern American Culture | Judy Nolte Temple |
Review of Martin Etchart, The Last Shepherd | David Río |
Review of A. Gabriel Meléndez and Francisco Lomelí, eds. and trans., The Writings of Eusebio Chacón | Laura Padilla |
Review of Terry Tempest Williams, When Women Were Birds: Fifty-four Variations on Voice | Monica Linford |
Review of Kathleen Johnson, Subterranean Red | Elizabeth Toombs |
Review of Larry McMurtry, Custer | Brian Dippie |
Review of Ann Moseley and Sarah Cheney Watson, eds., Willa Cather and Aestheticism: From Romanticism to Modernism | Max Despain |
Review of Elizabeth Dodd, Horizon’s Lens: My Time on the Turning World | Sarah Stoeckl |
Review of Julian Murphet and Mark Steven, eds., Style of Extinction: Cormac McCarthy’s “The Road” | Alex Engebretson |
Review of Christopher Schaberg, The Textual Life of Airports: Reading the Culture of Flight | Andy Hageman |
Review of Claire Vaye Watkins, Battleborn: Stories | D. Seth Horton |
Review of Rene S. Perez II, Along These Highways | Monica E. Montelongo |
Review of Greg Kuzma, Mountains of the Moon | Harald Wyndham |
Review of Glenn Frankel, The Searchers: The Making of an American Legend | Edwin Whitewolf |
Review of Sherman Alexie, Blasphemy | Loree Westron |